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Clairefontaine

Clairefontaine Paint-ON Multi-Techniques Naturel Pad A4 250g 30 sheets

Clairefontaine Paint-ON Multi-Techniques Naturel Pad A4 250g 30 sheets

€18,70 EUR
€18,70 EUR
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Taxes included. Shipping calculated at checkout.

DELIVERY

Order before 14.00 (week days) and we will ship your order the same day. Delivery time depends on the destination, read more detail information here.

  • EU Countries - Standard Delivery 5,9 EURO*
  • INTERNATIONAL (Outside EU) - 15 USD*

For some countries/markets we also offer local shipping alternatives. Orders including spray paint or other products consider dangerous goods can only be shipped inside EU and extra charges may apply depending on destination.

Read more details about our delivery options here.


ABOUT US

In 2018 we started Unfade with the goal of becoming the best shop for graffiti and street art supplies. Everyone working for Unfade has deep roots in the graffiti culture and lots of experience of the products we are selling. In our assortment you can find products from global brands like Montana, Molotow, Loop, MTN, Grog and Posca, but also fanzines from independent publishers and exclusive artworks by artists.

30 DAYS RETURN POLICY

30 day return policy counted from the day the order was placed. All products returned most be in resalable condition. Before sending back products please contact our customer order: info@unfade.com.  Return shipping expenses is payed by the customer.

If you received a damaged or faulty product please contact our customer service and we will replace the product(s) or issue a refund. If you want to file a complaint please send us a mail: info@unfade.com.

The Clairefontaine Paint-ON Naturel A4 is a heavyweight sand-toned paper pad for daily illustration, life drawing, botanical art, and graphic design work. The warm natural buff tone is mass-dyed directly into the pulp — solid and uniform through the full sheet thickness, with no white edges when cut and no surface wear under heavy erasing or wet media. The organic background shifts how colors read on the page: cool tones gain warmth, earth shades feel grounded and immediate, and white highlights pop with a luminosity that white paper simply cannot replicate as a starting point.

The 250 g/m² cellulose stock handles heavy erasing, scratching, and layered wet media without tearing or pilling. Dual-sided surface — fine grain face for charcoal, pastel, and pencil, smooth reverse for ink pens, acrylic markers, and calligraphy gel pens. Thirty sheets in standard A4. Top-glued for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.

Technical Details
  • Format: A4 — Sheet count: 30
  • Paper weight: 250 g/m²
  • Paper composition: 100% cellulose
  • Coloration: Mass-dyed natural tan/sand — acid-free, pH-neutral, UV stable
  • Surface: Dual-sided — fine grain one side, smooth the other
  • Binding: Top glued — fray-free sheet separation
  • Recommended media: Fine ink pen, acrylic paint marker, white calligraphy gel pen, watercolor, gouache, charcoal, pastel, sketching pencil
  • Certification: PEFC certified — acid-free, pH-neutral

Common Questions
  • How does the sand tone affect color rendering compared to white paper? The warm buff mid-tone shifts the energy of colors applied on top — cool tones pick up warmth, earth shades feel more naturalistic, and light values like white or pale yellow appear more luminous. It also eliminates the need to lay down a mid-tone base before value drawing, which speeds up the compositional process considerably.
  • Is the coloration stable under prolonged UV exposure? Yes. The mass-dyed process runs the sand tone uniformly through the pulp during production. The acid-free, pH-neutral formula is UV stable — the warm tone will not shift, bleach, or yellow under normal display conditions over time.
  • Can heavy wet media and dry media be combined on the same sheet? Yes. The 250 g/m² weight handles gouache layers, acrylic washes, and liquid inks alongside charcoal and pastel on the same sheet without significant warping, surface breakdown, or pigment interference.
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